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Hoge Blekker: dark barnacled rocks scattered across a tidal flat under a grey overcast North Sea sky

Hoge Blekker

directed by Aylin Gökmen

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Synopsis

A philosophical tale about the highest sand dune of Belgium. Shot on 16mm, this film is an ode to the relation between men and grain.

Format
Experimental
Role
Cinematographer
Director
Aylin Gökmen

Shot on 16mm, Hoge Blekker is a philosophical miniature about the highest sand dune of Belgium and the people drawn to it. Director Aylin Gökmen treats the dune as both location and metaphor: a mountain of loose grains that holds its shape only for a while, photographed on a medium that is itself made of grain. The texture of the stock and the texture of the sand become hard to tell apart, and that is the point: an image of permanence built entirely from particles.

Stills

Hoge Blekker: extreme close macro of wet grained sand, thin water rivulets tracing soft ridges across the surface
Hoge Blekker: low upward angle on the corner of a modern white apartment tower against a pale blue sky
Hoge Blekker: wide empty beach with a distant row of seaside apartment blocks under hazy daylight
Hoge Blekker: dune grass on a sandy ridge with foggy coastal apartment buildings dissolving in the mist behind
Hoge Blekker: lone wooden beach cabin half-buried in a sand mound, facing the flat grey sea and horizon
Hoge Blekker: rolling sand dunes with low wooden fences under a heavy overcast sky above a distant sea
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Hoge Blekker: weathered wooden posts standing in a receding line across a bright empty tidal beach
Hoge Blekker: two rocky breakwaters reaching into calm grey water beneath a soft overcast winter sky

Credits

Director
  • Aylin Gökmen
Cinematographer
  • Victor Maes
Assistant Director
  • Quan Nguyen Hong

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